Book Review
Sep. 24th, 2007 08:31 pmFingersmith
by Sarah Waters
This book was wonderful - great writing, exciting plot twists, interesting characters. It's set in early 1860s England and is pretty much the sort of book Dickens or Collins would have written if they could have been separated from the restraints of Victorian society. Fingersmith is the story of two young women, Sue and Maud, who get involved in an intricate plot involving mysterious identities, a conspiracy to steal a fortune, and a lot of secrets.
The plot of Fingersmith is a huge reference and homage to Wilkie Collins' The Woman in White. A couple of the characters are also references to the earlier book, especially Maud's uncle. But Waters goes where Collins does not: she actually brings the narrative into the insane asylum. She also adds more frank sexuality and violence.
Maud's upbringing and its results are, I think, a metaphor for the Victorian ideal female sex partner. Maud's uncle is a collector and cataloger of pornography - his life's work is a scholarly bibliography and index of erotic literature. He has raised his niece to be a strikingly competent assistant and secretary to him, training her to be able to deal with and even read aloud these books with a complete lack of embarrassment or even arousal. He often has her do readings for visiting male friends and business associates. Thus, Maud is like the Victorian ideal female sex partner: able to provide erotic services competently but while maintaining emotional and sexual distance and having no real sexual feelings or needs of her own.
by Sarah Waters
This book was wonderful - great writing, exciting plot twists, interesting characters. It's set in early 1860s England and is pretty much the sort of book Dickens or Collins would have written if they could have been separated from the restraints of Victorian society. Fingersmith is the story of two young women, Sue and Maud, who get involved in an intricate plot involving mysterious identities, a conspiracy to steal a fortune, and a lot of secrets.
The plot of Fingersmith is a huge reference and homage to Wilkie Collins' The Woman in White. A couple of the characters are also references to the earlier book, especially Maud's uncle. But Waters goes where Collins does not: she actually brings the narrative into the insane asylum. She also adds more frank sexuality and violence.
Maud's upbringing and its results are, I think, a metaphor for the Victorian ideal female sex partner. Maud's uncle is a collector and cataloger of pornography - his life's work is a scholarly bibliography and index of erotic literature. He has raised his niece to be a strikingly competent assistant and secretary to him, training her to be able to deal with and even read aloud these books with a complete lack of embarrassment or even arousal. He often has her do readings for visiting male friends and business associates. Thus, Maud is like the Victorian ideal female sex partner: able to provide erotic services competently but while maintaining emotional and sexual distance and having no real sexual feelings or needs of her own.
no subject
Date: 2007-09-25 03:09 pm (UTC)no subject
Date: 2007-09-25 03:16 pm (UTC)This sounds like a wonderful book. Now I need to get through my current 5 books before I can pick this up.
no subject
Date: 2007-09-27 03:35 am (UTC)no subject
Date: 2007-09-28 12:50 am (UTC)Mary Renault writes very good books about the ancient Greek world.
I've always enjoyed Cecilia Holland's books. She covers a wide range of time periods and geographical areas.
Judith Tarr is also wonderful. She writes both straight historical fiction and historically-based fantasy novels. For the latter, look for the amazing Hound and Falcon trilogy.
I also like Pauline Gedge, Gillian Bradshaw, Dorothy Dunnett, and Edith Pargeter.
There are probably more, but that should get your daughter off to a good start.
no subject
Date: 2007-10-01 02:01 am (UTC)