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Hartmann, Hindemith, and Henze
by Guy Rickards

I picked up this book (one of the Phaidon series) because I didn't know much about any of the composers it covers. I now know more, but I can't say I found either the composers or this book particularly compelling. I thought Rickards lacked focus in his framing and organization. He attempts to set the book up as a look at issues in German musical culture in the 20th century, particularly surrounding WWII, with these three composers as a focal point for that. However, I don't think Rickards quite follows through or provides the insight he initially alludes to. Also, I found his weaving together of the three biographies to be occasionally unclear - several of his transitions from one to another were extremely clunky. I think the composers would have been better served by more separation.
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