Yeah, there were a couple of things in the score that I really liked: Tumnus' lullaby, and one small moment where the composer made great use of the double reeds. The latter sounded both a little like renaissance music and a little reminiscent of some of the things being done in orchestral music in the 1920s and 1930s, which made it incredibly appropriate. It's too bad Gregson-Williams didn't do more with it.